I first read Joy Harjo’s An American Sunrise in 2019. By April of this year I’ll have reread it because it’s the NEA Big Read in the St. Croix Valley. I believe I’ve read, at least once, most of what Harjo has written, She is one of my favorite poets / writers and I’m looking forward to participating in whatever events get programmed.
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| An American Sunrise cover |
The fact that one or more of the events involves a handful of local poets of place also pleases me no end. This has the potential to be one of the better Aprils in the fifty of so years I’ve lived in Minnesota. It will be even better if by April 1 the ground is bare of snow and no April blizzards occur during the month.
The Better Half and I are going to try a new local restaurant’s fare this evening, as a take-out order. The Daughter Person and Son-In-Law have recommended it a couple of times so it would probably be impolite to continue to resist sampling. We’ll share the name and our assessment if, and only if, it turns out we agree with the recommendations. If we don’t like it we can let it die the death of a thousand silences. My parents phrased that “If you can’t say anything good about it, don’t say anything at all.” Might'nt social media be a better place to hang out if more folks followed that dictum?
In recognition of events occurring in the Ukraine as this is being written, today’s poem, from An American Sunrise, is:
How to Write a Poem in a Time of War
Joy Harjo - 1951-
You can’t begin just anywhere. It’s a wreck.
Shrapnel and the eye
Of a house, a row of houses. There’s a rat scrambling
From light with fleshy trash in its mouth. A baby strapped
to its mother’s back, cut loose.
Soldiers crawl the city,the river, the town, the village,
the bedroom, our kitchen. They eat everything.
Or burn it.They kill what they cannot take. They rape. What they cannot kill
they take.Rumors fall like rain.
Like bombs.
Like mother and father tears
swallowed for restless peace.
Like sunset slanting toward a moonless midnight.
Like a train blown free of its destination. Like a seed
fallen where
there is no chance of trees or anyplace for birds to live.
No, start here. Deer peer from the edge of the woods.
We used to see woodpeckersThe size of the sun, and were greeted
by chickadees with their good morning songs.
We’d started to cook outside, slippery with dew and laughter,
ah those smoky sweet sunrises.
We tried to pretend war wasn’t going to happen.
Though they began building their houses all around us
and demanding more.
They started teaching our children their god’s story,
A story in which we’d always be slaves.
No. Not here.
You can’t begin here.
This is memory shredded because it is impossible to hold with words,
even poetry.
These memories were left here with the trees:
The torn pocket of your daughter’s hand-sewn dress,
the sash, the lace.
The baby’s delicately beaded moccasin still connected to the foot,
A young man’s note of promise to his beloved—
No! This is not the best place to begin.
Everyone was asleep, despite the distant bombs.Terror had become the familiar stranger.
Our beloved twin girls curled up in their nightgowns,
next to their father and me.
If we begin here, none of us will make it to the end
Of the poem.
Someone has to make it out alive, sang a grandfather
to his grandson, his granddaughter,
as he blew his most powerful song into the hearts of the children.
There it would be hidden from the soldiers,
Who would take them miles, rivers, mountains
from the navel cord place of the origin story.
He knew one day, far day, the grandchildren would return,
generations later over slick highways, constructed over old trails
Through walls of laws meant to hamper or destroy, over stones
bearing libraries of the winds.
He sang us back
to our home place from which we were stolen
in these smoky green hills.
Yes, begin here.
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Thanks for visiting. Come again when you can.
Please be kind to each other while you can.
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