a promise of new life
Photo by J. Harrington
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Late Spring, early Summer's riotous growth is marked by dandelion flowers morphing into seed heads that beg to be blown by those who believe in fairies. Milkweed seeds like wise mark a magical end to a longer growing season and the promise of renewed life next Spring. As we traveled toward the northern end of the county to pick up our Community Supported Agriculture shares box yesterday, we noted a number of soy bean fields have been harvested (still drying corn, not so much). In fact, several were being harvested as we drove past. If you've ever noticed a combine with a bean harvesting head driving a township gravel road, the combine takes up pretty much from ditch to ditch. We haven't yet seen a mid-afternoon head-to-head encounter on a township road between a combine and a school bus during harvest time, and hope we never do. It would be much like an encounter between an immovable object and an irresistible force.
and then there was one
Photo by J. Harrington
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The woolly bear caterpillar we had our eyes on has moved on before we could arrange suitable quarters for it. Probably just as well since the Daughter Person, in a very unromantic, uncurious way asked why we wanted to raise a moth anyhow. Every once in a while, we get a slight sense of having failed as a parent, but then she never showed any indication to absent-mindedly leave small snakes in her jacket pocket when she was young, not that we know of any of her progenitors that might have exhibited such behavior in their own youth.
The Cows at Night
The moon was like a full cup tonight, too heavy, and sank in the mist soon after dark, leaving for light faint stars and the silver leaves of milkweed beside the road, gleaming before my car. Yet I like driving at night in summer and in Vermont: the brown road through the mist of mountain-dark, among farms so quiet, and the roadside willows opening out where I saw the cows. Always a shock to remember them there, those great breathings close in the dark. I stopped, and took my flashlight to the pasture fence. They turned to me where they lay, sad and beautiful faces in the dark, and I counted them–forty near and far in the pasture, turning to me, sad and beautiful like girls very long ago who were innocent, and sad because they were innocent, and beautiful because they were sad. I switched off my light. But I did not want to go, not yet, nor knew what to do if I should stay, for how in that great darkness could I explain anything, anything at all. I stood by the fence. And then very gently it began to rain.
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